
One of the striking things about this short
Tolstoy novella is the flawed character of the protagonist. Born into comfort and ease, he lives the existence of a conceited poseur and careerist of questionable morality and taste.
For instance, this, regarding his choice of furnishings -
But these things were essentially the accoutrements that appeal to all people who are not actually rich but who want to look rich, though all they manage to do is look like each other: damasks, ebony, plants, rugs and bronzes, anything dark and gleaming - everything that people of a certain class affect so as to be like all other people of a certain class. And his arrangements looked so much like everyone else's that they were unremarkable, though he saw them as something truly distinctive.
The medical profession looks unconvincing, the diagnosis of his eventually terminal ailment seems to vacillate between two dubious choices - a floating kidney or a blind gut, and the truth if known is hidden from him. Faced with this void of information and compassion Ilyich starts to question if he is being punished for his superfluous life.
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Being removed in time and place from the significance of
M.F.K. Fisher, I had no clear expectations. Now some chapters deep, I can report that there is no return, a door has been opened. . . Each page is full of opinion and anecdote and the prose is captivating, humourous and playfully seductive.
Regarding meal time and who to eat with she has this to say -
What is more tedious for us than an early supper? It thrusts itself into the gathering speed of a day's life like a stick into the spokes of a turning wheel. It forces a pause, a stop, which acts as a kind of disequilibrium to the fine balance of the remaining hours of consciousness. . .Dining partners, regardless of gender, social standing, or the years they've lived, should be chosen for their ability to eat - and drink! - with the right mixture of abandon and restraint. They should enjoy food, and look upon its preparation and its degustation as one of the human arts. They should relish the accompanying drinks, whether they be ale from a bottle on a hillside or the ripe bouquet of a Chambertin 1919 in a great crystal globe on finest damask. ==
Half way through this large print edition of the Blue Flower, and I can't find that elusive third mention of damask. . . I think I'm unlikely to, the world contained is materially barren, while intellectually and poetically rich. The words and ease of narrative and description are beautiful, while there is something pure and complete about her characters.
The children of large families hardly ever learn to talk to themselves aloud, that is one of the arts of solitude, but they often keep diaries. Fritz took out his pocket journal. Certain words came readily to him - weaknesses, faults, urges, striving for fame, striving against the crushing, wretched, bourgeois conditions of everyday life, youth, despair. Then he wrote, 'But I have, I can't deny it, a certain inexpressible sense of immortality.'